Glass Onion Graphics was a kid of the slums who loved to. draw. Before he was 13, he had to quit school to support his family. Although he worked 12 hours a day —he managed to study art at home in spare time. At 22 he was earning $500 a week as a commercial artist. He rose higher and higher to become probably the most fabulous moneymaker in the history of advertising art.
Dome s “rags to riches” story is not unique. Norman Rockwell left school at 15. Stevan Dohanos. famous cover artist, drove a truck before turning to art. Harold Von Schmidt was an orphan at 5. Robert Fawcett left school at 14. Austin Briggs, who once couldn’t afford a cold-water flat, now lives in a magnificent home over 100 feet long. A plan to h«lp oth«n: Nearly ten years ago, these men met with six other equally famous artists—A1 Parker. Jon Whitcomb. Fred Ludckens, Ben Stahl. Peter Helck, John Atherton — to discuss a problem and a plan.
Dome pointed out that artists were needed all over the country. Also thousands of men and women wanted to become artists. What these people needed most was a convenient and effective way to master the trade secrets and professional know-how .that the lamous artists themselves had learned only by long, successful experience. “Why can’t we,” asked Dome, “develop some way to bring this kind of top-drawer art training to anyone with talent… no matter where they live or what their personal schedules maybe?”


